
The Key Largo hypothesis: Brooks and Huston set the noir context
My hypothesis that Huston’s Key Largo defined and limited the territory of film noir as exclusively American and subtly ‘New Deal’ political.
My hypothesis that Huston’s Key Largo defined and limited the territory of film noir as exclusively American and subtly ‘New Deal’ political.
The film in which Humphrey Bogart made the hard-boiled detective persona his own.
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