The Glass Key (1942)


Ostensibly a story of political corruption, betrayal and vengeance, the film is really a character portrait of Ed Beaumont (Ladd), go-to-guy for the somewhat shady political kingmaker Paul Madvig (Donlevy). More than that, the character that emerges is a hard-boiled archetype: smart, tenacious, aloof, cynical, devious, tough, resilient and possessed by his own sense of honour that is his moral compass regardless of whether it’s to his advantage or not. I am tempted to guess that Beaumont has more than a passing resemblance to Hammett’s self-image.

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