Ellroy’s homecoming in three movements
Look at the Prez … look at the clown car. There they go, pretending to be real people. There they go, pretending to be running the world. Can’t be! Those people? No way!
1990s … 1970s … 1950s.
Look at them now. No. Not the ones in the foreground. Zoom past them. Zoom below the popular cast. Sharpen the focus on what’s underneath.
See the unfamiliar faces? See them talk and move about. See them hate and love. See them get it right and fuck it up. See them project the shadows that are the familiar faces and events.
That’s what James Ellroy wants in ‘Underworld USA’. Three books. American Tabloid (1995), The Cool Six Thousand (2001), Blood’s a Rover (2009).
American history 1958-1973. Told the way it never was, with characters that never were, who explain the characters we always knew, and how things really were.
Ellroy channelling Will Graham from the Hannibal fiction? Immersed so deeply in the subject he comes out transcribing a Zeitgeist mind-set of that era. Like it’s an unhealthy obsession. Like it’s an alien psychology. Like it’s a sickness?