On finally seeing the film I felt disappointed, almost cheated, that Tarantino had managed to attract so much publicity with such a minor film. In fact, it isn’t so much a film as a series of admittedly carefully observed but ultimately quite meaningless vignettes loosely strung together (the word ‘plot’ isn’t quite appropriate) by the characters Shosanna Dreyfus (Laurent) and Lt Aldo Raine (Pitt).
The disjointed, episodic narrative is just bizarre enough to be based on truth, as is suggested in the credits of the film, but features the kind of seemingly nonsensical dialogues that are pure Tarantino.
It is the story of a young Jew, Shosanna, who escaped execution at the hands of the murderous SS Colonel Landa (Waltz) and manages to organise a far-fetched mass assassination of the entire Nazi hierarchy in her cinema in Paris. This plot-line intersects with another about an allied plan to do the same using a bunch of Jewish commandos notorious for scalping their Nazi enemies, and led by the red-neck hillbilly Lt Raine (Pitt).